Over at BOMB Magazine, Laura Van den Berg interviewed Stephanie Barber about her new book, All the People (Ink Press 2015), which is a collection of short, prosey portraits of dozens of fictitious-but-real humans. It’s a beautifully produced book—the cover is nicely printed onto cereal boxes and the binding is hand-sewn In the interview, Laura prompts Stephanie to talk about the thinking behind her varied types of work like writing a haiku everyday on Facebook, or the time she installed her studio for a month inside the Baltimore Museum of Art.
Stephanie Barber talks about the what:
But also, as regards media, I feel very strongly that I am simply making pieces of art. I don’t think a painting is a poem, or a film is a song, but I do think they can be received and created and considered as simply emotional or philosophical offerings made somehow sensorially manifest. I like the Buddhist word ayatana, which includes the mind as a sense organ.
and also how that works in her new book, specifically:
I’m also interested in using a sort of generic vernacular, particularly when what I am writing about is potentially too precious or heavy. There’s a desire to balance the depth of the concept with a light—or degraded?—handling. Mostly I was thinking about how something is being said as “the portrait,” not what is being said.
Read that interview here. Also check out Stephanie’s brilliant photo essays at Art21—and right here you can buy her DVD of films or her sensational YouTube book, Night Moves.